Background

Background

Yunotsu Town

Yunotsu Town is situated in the southwestern part of Oda City (Ōdashi), centrally positioned in Shimane Prefecture along the Sea of Japan. Accessible via the JR Sanin Main Line and National Route 9, the town features a coastline dotted with natural harbours, including the historically prosperous Yunotsu Port. During the Edo period, the port flourished as a shipping hub for the nearby Iwami Ginzan Silver Mine and later served as a port on the San'in sea route, exporting timber, bamboo, and Iwami pottery during the Meiji period.

Today, Yunotsu remains an active fishing port and a shipping centre for locally produced silica sand. The region is predominantly mountainous, with approximately 80% covered in forests. Agriculture and forestry are the primary industries, complemented by coastal fishing activities such as single-line fishing.

Hōjusan Anrakuji Temple in Yunotsu is both the birthplace and monumental site of Asahara Saichi (Myokōjin), a religious poet and philosopher acclaimed by Suzuki Daisetsu. The town’s architectural landscape spans the Edo, Meiji, Taisho, and Showa periods, characterised by distinctive red Iwami ceramic tiles. Yunotsu is the only hot spring town in Japan classified as an Important Preservation District for Groups of Traditional Buildings.

 

Yunotsu & Shinya

In March 2020, Shinya Kobayashi arrived in Yunotsu seeking vacant satoyama for sustainable manufacturing. With a background in training blacksmith successors in his hometown of Ono City, Hyogo Prefecture, Kobayashi understood the vulnerabilities of production reliant on external distribution for resources and sales channels. Recognising the importance of self-sufficiency in manufacturing, he focused on the Yunotsu area, known for its former thriving iron-making industry and abundant iron sandーa vital material for tool makingーand was captivated by the area’s rich natural environment.

Believing in the revival of the traditional satoyama lifestyle practised by predecessors to achieve a craft-making process that avoids environmental harm and promotes self-sufficient sourcing of steel, fuel, and other materials, Kobayashi acquired mountain forests (formerly satoyama areas, undeveloped woodlands near populated areas) and began their revitalisation in the summer of the same year.

Today, a diverse community from within and outside the prefecture actively participates in satoyama revitalisation workshops using vacant houses and other local environments. The involvement continues to grow with support from visiting teams and international volunteers. Various ateliers have also been established within the satoyama area using local materials.

And now, the AKIYA AIR project will become a part of this evolving endeavour.

ーSatoyamaー

Satoyama refers to rural landscapes typically situated at the interface between nature and human habitation, where communities practise sustainable living, fostering a harmonious coexistence with nature. More than just a geographical area, satoyama embodies a deep-rooted philosophy of respecting nature and managing resources sustainably, a cornerstone of Japanese culture for centuries.

Mission

Through the AKIYA AIR project in Yunotsu, vacant houses and depopulated towns are reimagined as abundant and affordable resources, offering materials and space for creators. Situated away from major cities, participants can immerse themselves daily in traditional rural living and culturally rich practices like Kagura performances. This initiative acts as a catalyst, prompting internal and external reevaluation of Yunotsu as a profoundly rich and valuable destination.

To achieve this vision, we invite artists from the Netherlands to join us in fostering collaboration between new residents and the existing community, encouraging mutual engagement. Together, our objective is to uncover Yunotsu's unique identity and explore effective ways to utilise it. Through these interactions, artists will discover abundant inspiration for their creative pursuits, using vacant houses as studios to enrich their artistic activities.

Yunotsu features numerous traditional and iconic locations, with plans underway to host an art festival in 2027, leveraging the

region's rich environment as a platform for artistic expression. The hope is to establish Yunotsu as a gathering place for creative talents from both domestic and international communities.

Furthermore, the MONO JAPAN Foundation, based in the Netherlands, is committed to continuously offering Dutch creators fresh and stimulating opportunities by bridging the creative industry in the Netherlands with Yunotsu.